“Ugly is irrelevant. It is an immeasurable insult to a woman, and then supposedly the worst crime you can commit as a woman. But ugly, as beautiful, is an illusion. A matter of taste, a whim, an eye, a beholder, an opinion, a spin, light crossing the frame, paint, projection. The moment. Context.”—Margaret Cho (via light-essence)
There are strategies to get laid that are violent and criminal, and there are methodologies that are just mean-spirited and misogynistic. You can find the drunkest girl in the bar and hand her another shot. You can physically back a girl into a corner at a party until the only way out is through you. You can cut a girl down to size with backhanded “compliments,” belittle her until she thinks the only way to feel good again is to win your attention. You can taunt her with insults about prudishness, until she thinks she needs to prove something. You can taunt her with insults about sluttiness, until she thinks she might as well confirm what you already think of her. You already know that these dick moves are beneath you.
This has been said many times, in better ways than I can say it. The beauty of free speech is not only your ability to say anything, but the ability of other people with free agency to respond negatively to the dumb fuck thing that you were free to say.
Ennio Morricone - The Ecstasy Of Gold (via The Good, the Bad, & the Ugly: Original Motion Picture Soundtrack)
“’How does a film-maker make sure his music is heard? Let me give you an example. If someone has not been invited to a party, but wants to go, what does he do?’ [Ennio] Morricone acts out some noisy Italian bonhomie: ‘Hello everybody, hello.’
‘He doesn’t do this. He knocks at the door, asks for permission to come in, enters the house and then starts meeting people. The music in a film must enter politely, very slowly. The composer does not have to write music at the actual moment a character enters a room - it might be too much. So there is this slow, delicate entry, with a simple sound that allows the film-maker to lower the other, naturalistic sounds.
The human ear can distinguish no more than two sounds of different quality at the same time. Some very nice music doesn’t work because of that: if it is too strong, it can become an element that disturbs the film, rather than giving something to it. Yet in some cases the music must be very, very strong, when it is necessary to give a particular dynamic to the storytelling course of the film, rather than, say, a person’s feelings.”
-excerpted from Morricone profile “Screen Saver”, The Guardian (via)
“Buying books is immensely comforting. Maybe I won’t read them immediately, but they make me feel so much better whenever I’m sad and blue. Just their presence, it’s like having more to look forward to.”—vagabond (via loveyourchaos)